dance
Ballet Flamenco Sara Baras, Sadler's Wells - a roaring start to the Flamenco FestivalSaturday, 08 July 2023
When flamenco first came out of the shadows and started to fill big theatres, it was like something out of a historical pageant. The shows that played London in the early 1990s harked back to an imagined gypsy past where old men hammered rhythms on blacksmiths’ anvils and women swirled extravagant frills. The crudely amplified music lost much of its detail but audiences lapped it up anyway. Read more... |
Untitled, 2023 / Corybantic Games / Anastasia Act III, Royal Ballet review - a magnificent end to the seasonSaturday, 17 June 2023
Is it a cop-out for an artist to label a piece of work “Untitled”? Painters and sculptors make a habit of it, reasoning that they want to leave the viewer free to bring to the experience what they will, unhampered and unlimited by prior information. Odd, then, that dance, being such an ambiguous, free-associating art form, should be so far behind the curve. Read more... |
Requiem, Opera North review - partnership and diversityWednesday, 31 May 2023
Innovation is always a risky business. Opera North’s vision and ambition for this production is to create, in effect, a new genre: a combination of staged choral-orchestral performance with contemporary dance. Read more... |
Nederlands Dans Theater (NDT1), Sadler's Wells review - an extinction rebellion in danceMonday, 24 April 2023
The timing was impeccable, though almost certainly accidental. As protesters lay prostrate in The Mall in a mass “die-in” on the day designated as Earth Day, and as many thousands more urged action against climate change outside the Houses of Parliament, Nederlands Dans Theater was giving its final London performance of a powerful new ballet called Figures in Extinction [1.0]. Read more... |
Jungle Book reimagined, Sadler's Wells review - a doomy revision of the Kipling storiesFriday, 07 April 2023
Akram Khan Company promises “a magical dance-theatre retelling of Kipling’s classic”, and that’s more or less what you get. The choreography is striking and inventive, the dancing and staging superb. Read more... |
Cinderella, Royal Ballet review - the first British ballet learns the language of flowersSaturday, 01 April 2023
The urge to redesign a heritage ballet is a curious one, given not just the expense but the fact that the main draw of an old ballet is the steps and the music, which stay the same whatever the stage dressing. Read more... |
Tom Dale Company, The Place review - immersive and genre-bustingWednesday, 29 March 2023
With all the talk – and, frankly, fear – around AI and the increasing dominance of the digital world, it’s fascinating to see what dance has to say about it. Read more... |
Turn It Out with Tiler Peck, Sadler's Wells review - America's ballet wonder-woman raises the barreTuesday, 14 March 2023
She can do anything. That’s what choreographers say about Tiler Peck, the peppy New York City Ballet principal who has launched a stream of projects above and beyond the day job. You want speed? Wham, you get it. You want complexity? She can learn a tricky phrase in seconds then reverse it and riff on it. You want nerve, verve, musicality? Those choreographers are right, this dynamo has it all. Read more... |
Woolf Works, Royal Ballet review - Wayne McGregor's modern classic impresses all over againMonday, 06 March 2023
The more Wayne McGregor’s superb Woolf Works is staged, the richer it seems to become. It has started a third run at Covent Garden since its premiere there in 2015, which, considering the house lost over a year of performances, is some achievement. It is the mark of an instant modern classic. Read more... |
The Sacrifice, Dada Masilo, Brighton Dome review - eye-popping dance from South AfricaFriday, 24 February 2023
The Soweto-born dancer-choreographer Dada Masilo has made her name telling classic European stories in African dialect. The last piece she toured in the UK was a striking Giselle in which the avenging Wilis were not undead brides but ancestral spirits led by a witch doctor. In his hand, instead of the traditional myrtle branch, symbol of chastity, he carried a fly whisk. Read more... |
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