dance
Elizabeth, Royal BalletSunday, 10 January 2016
Please, sir, I want some more. Will Tuckett and Alasdair Middleton's Elizabeth is soul food for the hungry dance fan; an ingenious blend of words, music and dance that beguiles and entertains in equal measure. Read more...
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Cinderella, Scottish Ballet, Edinburgh Festival TheatreThursday, 07 January 2016
When producing Cinderella, the main question is: sweet or sour? That Prokofiev score is splendid, but it's no walk in a candy shop; in Act I the stepsisters have passages so scraping, spiky and dissonant that sugar-coating would seem to be out of the question. Read more... |
Best of 2015: Dance & BalletThursday, 31 December 2015
It was business as usual in the British dance world in 2015. Looking back over the year, theartsdesk's dance critics see the industry's many talented, capable people continuing to do their jobs well, but we don't recall being shaken, stirred or surprised as often as in other years, or at least not by new works: our top moments of the year are concentrated in the farewells of great dancers Sylvie Guillem and Carlos Acosta, and in classic productions of classic ballets. Read more... |
Nutcracker, English National Ballet, London ColiseumFriday, 18 December 2015
Christmas legends are not born; they are made. In the case of the Nutcracker, its Christmas indispensability in Britain and America stems not from the original 1892 St Petersburg production, but from 1950s reinterpretations by emigré Russians (Balanchine and Karinska in the US, Lichine and Benois in the UK). Like most other story ballets, there is no stable text - apart from the Tchaikovsy score, of course, but Balanchine was happy to cut and rearrange that too. Read more... |
The Little Match Girl, Lilian Baylis Studio TheatreThursday, 17 December 2015
I habitually skipped over Hans Christian Andersen's Little Match Girl in my childhood fairy tale compendium because I couldn't bear the sadness (see also: The Happy Prince *sob*). Read more... |
Matthew Bourne's Sleeping Beauty, Sadler's WellsFriday, 11 December 2015
If Matthew Bourne never made another story ballet, his company New Adventures could probably carry on touring his back catalogue till the end of time. The Sleeping Beauty is only on its second London outing, and although it lacks the emotional clout of his Swan Lake, it’s clearly set for a similarly long life as a Great British Export. Read more... |
Carlos Acosta: A Classical Selection, London ColiseumThursday, 10 December 2015
“Every time I go on stage it could be the last,” Carlos Acosta warned a few years back. And now that moment has come – or very nearly. There are a scant six performances of this farewell gala at the Coliseum (largely a reprise of an Olivier-winning programme he presented in 2006). Then he picks it up again next May, with different supporting dancers, for a fleeting regional tour. Read more... |
The Nutcracker, Royal BalletThursday, 10 December 2015
With its hybrid Romantic-kitschy plot, chocolate-advert Tchaikovksy tunes, and baggage of obligatory Christmas cheer, the Nutcracker is harder to get right than you might think if you've only ever seen Sir Peter Wright's Royal Ballet version, now over 30 years old and still practically perfect in every way. Read more... |
Conceal|Reveal, Sadler's WellsFriday, 27 November 2015
Any partnership that lasts for 20 years deserves a party, and last night at Sadler's was a celebration of the wonderfully fruitful working relationship between choreographer Russell Maliphant and lighting designer Michael Hulls. Read more... |
The Two Pigeons, Royal BalletFriday, 20 November 2015
With real live birds fluttering across the stage, and a sweetly happy ending – hurrah for young love! – Frederick Ashton's 1961 The Two Pigeons can look like mere frothy fantasy, precisely the kind of trivial, uncomplicated ballet plot that the young Kenneth MacMillan was reacting against in his own work in the early 60s. Read more... |
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