sun 18/05/2025

Comedy Reviews

Alex Edelman, Menier Chocolate Factory review - London run for unmissable off-Broadway hit

Helen Hawkins

At one point in this brilliantly constructed and performed set, Alex Edelman ponders on the catchment area for his comedy and figures it might be the Upper West Side of Manhattan. Nah: this is comedy that can talk to anybody with a brain. 

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Best of 2022: Comedy

Veronica Lee

In 2022 we were finally able to welcome back the first “proper” Edinburgh Fringe since 2019. While I was disappointed that a few established comics – they know who they are – hadn't used the enforced layoff from live comedy to, you know, write new material, I was delighted to see others who had very obviously done so – and produced really memorable work.

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A Christmas Carol-ish, Soho Theatre review - Mr Swallow causes havoc again

Veronica Lee

At this time of year you can't move for productions of A Christmas Carol, Dickens' seasonal morality tale. Some are brilliant, some so-so, but this one by the power-crazed impresario Mr Swallow, whose ambition always exceeds his talent, is a joy.

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Tom Ward, Brighton Komedia review - offbeat observational gags

Veronica Lee

Tom Ward does his audience research at the top of the show, asking fairly mundane questions about their ages and where they live before he poses an unexpectedly pointed “Who is in an open relationship?” It's the beat before “They're aware of...” that makes it a killer joke.

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Sara Pascoe, Assembly Hall, Tunbridge Wells review - motherhood and the perils of fame

Veronica Lee

Sara Pascoe comes on stage to tell us there has been a small wardrobe malfunction. She's made an effort and is wearing something glitzy, but it restricts her movement in one direction and gives too much in another. Should she go and change into something comfortable but a bit grungy?

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Jerry Sadowitz, Eventim Apollo review - brilliantly dark

Veronica Lee

If anyone in the audience at the Eventim Apollo was expecting Jerry Sadowitz to rein things in after the spot of bother he ran into at the Edinburgh Fringe in August, then they were quickly disabused.

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Helen Bauer, Soho Theatre review - rollicking show about how to be a modern woman

Veronica Lee

Confidence, says Helen Bauer, is a good thing. As a woman who casts herself as the leading lady in any situation, including funerals, she has oodles of it – as well as bucketloads of energy in a show that starts with a declaration of intent: “I'm going through a very confident phase and I think you should be there for me.” The audience is on board straight away, such is the force field she exerts from the moment she walks on stage.

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Dave Gorman, Touring - comic in skittish mood

Veronica Lee

Although PowerPoint has been around since 1987, and several comics have incorporated it into their shows, it's Dave Gorman who remains king of the form.

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Dara Ó Briain, Touring review - a comic on tip-top form

Veronica Lee

Some people learned how to make sourdough bread during the pandemic lockdown, while others discovered the joy of Zoom quizzes. Dara Ó Briain, on the other hand, wrote this brilliant show, So... Where Were We?, his most personal yet.

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Harry Hill, touring review - uneven madcap show

Veronica Lee

It has been a long time since Harry Hill went on tour – 2013 – so one can assume that many of the youngsters in the multi-generational audience hadn't seen him perform live before, but were there because they know him from his deliriously funny television work, much of it available online. I hope they weren't disappointed – but I suspect, judging by the lack of laughter around me, that at least some were.

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