Comedy Reviews
Gina Yashere, Udderbelly, SE1Sunday, 13 June 2010
In the game of musical chairs that has led up to their coverage of the soccer World Cup, BBC and ITV executives appear to have missed a trick; judging by last night’s explosive opening few minutes, in which Gina Yashere gave an expletive-laden analysis of England’s opening draw against the United States, the comic would be a whole lot more entertaining as a pundit than some of the mealy-mouthed ex-professionals they currently employ to tell us where it all went wrong. Read more... |
Pop-Up Poetry, UdderbellyWednesday, 09 June 2010
Performance poetry, I am told, is the new rock ’n’ roll. Poetry nights may vie with comedy at venues up and down the country, and a new generation of twentysomething urban poets and rappers are certainly strutting their stuff, but I’m yet to be convinced that it’s the burgeoning success that promoters would have us believe. Still, the first of two Pop-Up Poetry evenings of “poetry stand-up style” in the upturned purple cow on London’s South Bank gave me a chance to sample some of... Read more... |
Pajama Men, Soho TheatreSaturday, 22 May 2010
We must be on the night train, as there's something crazily dreamlike about the Pajama Men's mercurial railroad fantasy, The Last Stand to Reason, which was a runaway Edinburgh Fringe hit last year and is now, deservedly, back at Soho by popular demand. Read more... |
Idiots of Ants, Soho TheatreTuesday, 18 May 2010
The art of good sketch comedy is in the timing - not just in how gags are delivered, of course, but in realising that some jokes are best done as one-liners while others can be played out over several minutes before being punctuated with a killer punchline. The four-man sketch group Idiots of Ants are masters of knowing when to end one sketch and get on with another - and that, allied with smart writing and committed performances, makes them leaders in the field. Read more... |
Andy Hamilton, Blackheath HallsSunday, 16 May 2010
Most people know Andy Hamilton from his frequent (and very droll) appearances on panel shows such as Have I Got News For You and The News Quiz on television and radio, but he is also a prolific writer. His writing credits could take up the whole of this review, but a brief CV includes Not the Nine O’Clock News, Drop the Dead Donkey, Old Harry’s Game and, most recently, the equally excellent Outnumbered on BBC One, which he co-writes with Guy... Read more... |
Hans Teeuwen, Soho TheatreFriday, 14 May 2010
“You pay money I be funny?” There are times in stand-up when it seems the wrong kind of transaction has taken place. A comedian brings a warped vision of the world to a paying public. He – and the weirder ones are always a he – parade neurosis, dysfunction and fixation that, in the normal scheme of things, they really ought to be working through every week with a psychotherapeutic professional at whatever the hourly rate over however many years. But if you fixed the warp, you’d kill the... Read more... |
American: The Bill Hicks StoryTuesday, 11 May 2010
If I had a fiver for every time I have heard a comic described (usually by the comic himself) as “the new Bill Hicks”, I would be rather comfortably off. It’s tosh, of course, and, as his brother astutely says in American: The Bill Hicks Story, only Bill Hicks could be Bill Hicks, because what you saw on the outside was what was on the inside. Hicks himself is in no position to argue either way: he died, aged 32, from pancreatic cancer in 1994. Those who die at the height of their... Read more... |
Katy Brand, touringFriday, 30 April 2010
The first time I saw Katy Brand was at the Edinburgh Fringe in 2005, where she was performing Celebrities Are Gods in a tiny, windowless basement late at night. Hers was the last show in the room, which by now was a fetid sweatbox, and only a few hardy souls had turned up. But it was a memorable evening, not only because Brand’s talent was plain to see, but also because, undaunted by the circs, she performed with the confidence of an old pro even though she was only 26. Read more... |
Ricky Gervais, Wembley ArenaWednesday, 28 April 2010
Do look away now if you’re squeamish. Why? Because before the star turn has even made his entrance, a film is shown on the screen suspended above the stage. An earnest American advises that there is a global shortage. Jumbo jets have been spraying deliveries from the skies. Donations are coming in, but billions of gallons are simply not enough. He is drinking more than the world can supply. But what can this precious nectar possibly be? Read more... |
La La Land, BBC ThreeTuesday, 27 April 2010
“Marc Wootton is playing characters in real situations with real people” read the message that followed the opening credits of La La Land, as though Wootton were a comedic Archimedes unveiling his Eureka moment, rather than simply the latest “provocative” British wit to go panning for comedy gold in the murky waters of American embarrassment. Read more... |
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