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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Saul, Glyndebourne review - playful, visually ravishing desc...
This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in...
The Gold, Series 2, BBC One review - back on the trail of th...
The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-...
Eva Quartet, St Cyprian's review - polyphonic bliss
Eva Quartet are four outstanding Bulgarian voices of polyphonic purity and depth, drawn from the legendary choir Le Mystere des Voix Bulgares, who...
Album: Mary Chapin Carpenter - Personal History
In those seemingly long-ago times of loneliness and lockdown, artists around the world invited us into their kitchens and living rooms as they...
Miss Myrtle’s Garden, Bush Theatre review - flowering talent...
The Bush Theatre is becoming a garden...
Così fan tutte, Nevill Holt Festival/Opera North review - re...
Marianne Moore once famously defined poems as “imaginary gardens with real toads in them”. Operas also fill, or anyway should fill, their...
Music Reissues Weekly: Gather In The Mushrooms
“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint Etienne...
Big Star: The Nick Skelton Story review - the ways of a man...
If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors...