wed 14/05/2025

book reviews and features

Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach

Alice Brewer

Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins...

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Marie Darrieussecq: Sleepless review - in search of lost sleep

Jack Barron

“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into...

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Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy

Bernard Hughes

Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following...

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Masha Karp: George Orwell and Russia review - dystopia's reality

Hugh Barnes

The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to...

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Henry Hoke: Open Throat review - if a lion could speak

India Lewis

I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it...

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First Person: Marc Burrows on getting to know Sir Terry Pratchett

Marc Burrows

In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s.

My parents had been given copies of two of the earliest...

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Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the next

India Lewis

Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek...

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Nick Laird: Up Late review - attention lapses

Alice Brewer

A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back /...

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Extract: Bacon in Moscow by James Birch

James Birch

In 1988, James Birch – curator, art dealer, and gallery owner – took Francis Bacon to Moscow. It was, as he writes, "an unimaginable intrusion of Western Culture into the heart of the Soviet...

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Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait

Bernard Hughes

In 1917, in the face of the Bolshevik revolution closing in on his country estate, Rachmaninoff fled Russia, never to return. He was 44, at his peak as composer, pianist and conductor, but spent...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

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William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

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Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...

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