book reviews and features
Charlie Porter: Bring No Clothes - Bloomsbury and the Philosophy of Fashion review - dress to impress
Thursday, 26 October 2023
It’s not hard to miss the fact that Bloomsbury is back in fashion at the moment. This summer, it felt like everyone’s Instagram story showed a... Read more... |
Adam Sisman: The Secret Life of John le Carré review - tinker, tailor, soldier, cheat
Thursday, 12 October 2023
This book is quite a sad read. I had been looking forward to it, as a posthumous supplement to Adam Sisman’s 2015 biography of John le Carré/David Cornwell, which, at the time, quite clearly drew... Read more... |
Caspar Henderson: A Book of Noises - Notes on the Auraculous review - a call to ears
Thursday, 05 October 2023
Have you ever considered the sheer range of sounds? You may think of deliberate human efforts to move the air: music and song, poetry or... Read more... |
'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'
Tuesday, 03 October 2023
Priya Hein’s debut novel, Riambel, is an excoriating examination of Mauritius’ socio-political structures and the colonial past from which they have sprung. Centred around Noemi, a young... Read more... |
Michael Peppiatt: Giacometti in Paris review - approaching the impossible
Thursday, 28 September 2023
We begin with a dead-end. In 1966, Michael Peppiatt – at the time “an obscure young man” – travelled to Paris to... Read more... |
Annie Ernaux: Shame review - the translation of pain
Tuesday, 26 September 2023
The latest translation of Annie Ernaux’s Shame – a text most closely akin to a long-form essay – is an... Read more... |
Warhol, Velázquez, and leaving things out: an interview with Lynne Tillman
Friday, 22 September 2023
Motion Sickness (1991) is the second novel published by the writer, art collector and cultural critic Lynne Tillman. It is difficult,... Read more... |
Celia Dale: Sheep's Clothing review - unsettling, mundane, and right on-trend
Tuesday, 19 September 2023
Celia Dale published 13 novels between 1944 and her death in 2011. A majority of her these are often categorised – albeit loosely – as... Read more... |
Lutz Seiler: Pitch & Glint review - real verse power
Monday, 04 September 2023
Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: ... Read more... |
Zadie Smith: The Fraud review - the trials we inherit
Friday, 01 September 2023
Zadie Smith’s latest novel, The Fraud, is her first venture into historical fiction – a fiction based... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
Music Reissues Weekly: Chapterhouse - White House Demos
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...
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Songlines Encounters is your round-the-world ticket to great...
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...
Magic Farm review - numpties from the Nineties
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The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...