sun 20/07/2025

indie

Reissue CDs Weekly: Cocteau Twins

 Cocteau Twins: The Pink Opaque, Tiny Dynamine/Echoes in a Shallow BayThe current fad for all things vinyl is of course, in general, a good thing. It has also meant that a column with CD in its header has, inevitably, broadened its scope. There...

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CD: Vetiver – Complete Strangers

The listless Complete Strangers drifts by in such a haze that it’s impossible to maintain any concentration on it after the first 10 minutes or so. When it ends, after 43 minutes and 10 songs, awareness that it’s finished only comes when whatever...

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CD: The Maccabees - Marks to Prove It

That I’ve tended to lump The Maccabees in with a certain brand of mid-Noughties landfill lad-rock is my problem, not theirs; not least because the Londoners’ ambitions on their latest album are pitched more at cinéma vérité than Kasabian. The band’s...

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Reissue CDs Weekly: Mission of Burma

 Mission of Burma: signals, calls, and marches/Vs.The opening moments of Mission of Burma’s “That’s When I Reach for my Revolver” still exhilarate. Recorded in early 1981, it was the first track on the Boston-based band’s 12-inch EP signals,...

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CD: Gwenno – Y Dydd Olaf

An all-analogue space-rock, Krautrock-influenced, motorik-driven psychedelic ride on Saturn’s rings, Gwenno’s Y Dydd Olaf is a treat from start to end. Her sweet but dislocated vocals mesh with snappy bass guitar, bloopy synths and the otherworldly...

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CD: Wolf Alice - My Love is Cool

Do you remember Alisha’s Attic? The '90s sister-duo’s debut was the first album I bought, and it was full of pretty pop songs soaked in vinegar and malice. Wolf Alice, a grunge-pop four-piece from north London, remind me of Alisha’s Attic, at least...

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Reissue CDs Weekly: The Mothmen

The Mothmen: Pay Attention!On their 20-minute “Mothman”, Manchester’s The Mothmen took a trip fusing bendy Captain Beefheart-style guitar, dub, insistent percussion and a Krautrock sensibility. The side-long track closed their album Pay Attention!,...

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theartsdesk in Aarhus: SPOT Festival 2015

There’s no doubt SPOT is Europe’s tidiest music festival. In hosting SPOT, Denmark’s second-city Aarhus turns the expectation of what a festival can be around. There’s no mud, no one takes a stage late and the sound is always immaculate. Underworked...

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CD: Blur - The Magic Whip

Few would have predicted it back when they were gooning around in over-tight Adidas t-shirts, but with the benefit of hindsight it makes sense that Blur should have the most convincing longevity of the Britpop generation. Why? Because more than any...

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CD: Speedy Ortiz - Foil Deer

To let you understand the spontaneous grin that burst across my face when I first heard Foil Deer probably needs a little context: I studied, and now have a job involving, corporate law. Still, there’s no getting away from the fact that the powerful...

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CD: Stealing Sheep - Not Real

The Liverpool-based female trio Stealing Sheap’s second album Not Real frustrates. By turns immediate and deliberate, its Meccano-kit pop isn’t bolted together as a harmonious whole. Instead of meshing, electro beats and chanted vocals clash. It...

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Drenge, Institute, Birmingham

Drenge made themselves known to the world some 18 months ago, surfing on the back of their abrasive self-titled debut album and some unexpected PR assistance from West Midlands MP Tom Watson. Back then, the Loveless brothers were a loud and lairy...

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