Theatre
Wedding Band, Lyric Hammersmith review - revelatory staging of a Black classicMonday, 10 June 2024
Alice Childress’s Wedding Band has arrived at the Lyric Hammersmith like an incendiary bomb, a weapon that casts a bright light over its target even as it ferociously burns it. It’s a piece about conflict – between racial groups, but also... Read more... |
Accolade, Theatre Royal Windsor review - orgy-loving knight makes for topical pre-election dramaThursday, 06 June 2024
Times change, people don't. Does a knighthood sit well on a man who shags anonymous strangers in the Blue Lion out of hours? Emlyn Williams played his own fruity lead when his play Accolade premiered in 1950 - Bill Trenting, a hugely successful... Read more... |
Lie Low, Royal Court review - short sharp sliver of painFriday, 31 May 2024
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is, like really okay, why is she seeking help for her insomnia?As Irish playwright Ciara Elizabeth Smyth brings her ward-winning Fringe Festival play, Lie Low, to... Read more... |
Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classicThursday, 30 May 2024
Prolific playwright James Graham was born in 1982, the year Alan Bleasdale's unforgettable series was televised. From Nottingham rather than Liverpool, Graham recognised in his own surroundings the predicaments of the main characters, the bonds... Read more... |
First Person: LIFT artistic director Kris Nelson on delivering the best of international theatre to the nation's capitalThursday, 30 May 2024
LIFT 2024 is nearly here. It’s a festival that will take you on deep and personal journeys. We’ve got shows that will catch your breath, spark your mind and rev up your imagination. There’s adrenaline too. It’s international theatre for your gut.... Read more... |
The Harmony Test, Hampstead Theatre review - pregnancy and parenthoodWednesday, 29 May 2024
“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have been plenty of laughs, and some much more awkward moments, in Richard Molloy’s The Harmony Test, which premieres in the Hampstead Theatre’s Downstairs... Read more... |
Bluets, Royal Court review - more grey than ultramarineTuesday, 28 May 2024
When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie Mitchell’s staging of Margaret Perry’s adaptation of Maggie Nelson’s Bluets – despite the casting of... Read more... |
Romeo and Juliet, Duke of York's Theatre review - doomy and deathly, and much-hypedMonday, 27 May 2024
One of Shakespeare's longest plays gets gets served up fast and filleted courtesy the director of the moment Jamie Lloyd, who is second to none when it comes to revealing the hidden performance strengths of various (and very varied) stars.Last year... Read more... |
Jerry’s Girls, Menier Chocolate Factory review - just a parade that passes bySaturday, 25 May 2024
Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that, like me, you recognize about 80 per cent of the material in Jerry’s Girls. But is it enough when you (... Read more... |
Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravadoThursday, 23 May 2024
There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances seemed more frenzied, and there are more of them, and for once let’s start with a shout-out for James Maloney’s... Read more... |
Between Riverside and Crazy, Hampstead Theatre review - race, religion and rough justiceThursday, 23 May 2024
It’s often said that contemporary American playwrights are too polite, too afraid of giving offence. But this accusation can’t be levelled at Stephen Adly Guirgis, whose dramas – from Jesus Hopped the ‘A’ Train in 2002 to The Motherfucker in... Read more... |
Passing Strange, Young Vic review - exuberant pocket musical with a thoughtful coreWednesday, 22 May 2024
From New York’s Public Theater, the venue that nurtured Hamilton, comes another estimable pocket musical, Passing Strange. It was first staged in 2008, to Tony-nominated acclaim, and it shows. Its forthright cheek and irreverence are refreshing and... Read more... |
