Opera
Alcina, RAM, Round Chapel, HackneyTuesday, 25 October 2016
Handel’s Alcina is about sex, certainly. But unlike Olivia Fuchs’s new production for the Royal Academy of Music, it’s about an awful lot of other things as well. Power, illusion, ageing, love, gender, family, intimacy – all these themes find... Read more... |
Martyn Brabbins: a safe pair of hands at ENOFriday, 21 October 2016
No-one can easily replace Mark Wigglesworth as Music Director of English National Opera: ask any of the musicians working there and you'll find they're all heartbroken. That said, they could not have chosen a nicer man or a better all-round musician... Read more... |
The Nose, Royal OperaFriday, 21 October 2016
Even that most unpredictable of fantasists Nikolay Gogol might have been surprised to find his Nose, wandering far from the face of Collegiate Assessor Kovalyov, sung by a high tenor in an unlikely operatic adaptation of his wackiest story. Give the... Read more... |
Billy Budd, Opera NorthWednesday, 19 October 2016
"That cursed mist" may hide the French from the crew of the HMS Indomitable and cause far more deadly damage to moral certainty. But clarity and strength are the assets of Orpha Phelan's new production for Opera North: no gimmicks, superb company... Read more... |
Madama Butterfly, Glyndebourne TourSaturday, 15 October 2016
What would Glyndebourne, staging Madama Butterfly for the first time, bring to Puccini's most heartbreaking tragedy? Subtle realism, perhaps? Certainly the composer, along with his superb librettists Giacosa and Illica, offers plenty of... Read more... |
The Fairy Queen, AAM, BarbicanTuesday, 11 October 2016
Purcell’s The Fairy Queen is a riddle to which directors must find an answer. The problems posed by a work whose theatrical characters have no foothold in the musical interludes, whose text is an awkward composite of almost-Shakespeare and not-at-... Read more... |
Il Tabarro, Suor Angelica, Opera NorthMonday, 03 October 2016
Just two thirds of Puccini’s Il Trittico still makes for an involving evening’s entertainment. Without Gianni Schicchi there’s an awful lot of misery and heartache, though director Michael Barker-Caven does manage to inject some black comedy into... Read more... |
Don Giovanni, English National OperaSaturday, 01 October 2016
Pace-perfect musical articulation and meaningful surprises in the direction: both were to be expected after the conductor-generated sludge and the production overkill of the new Royal Opera Così fan tutte. Mark Wigglesworth has form in Mozart at ENO... Read more... |
Stravinsky: Myths and Rituals 5, Philharmonia, Salonen, RFHFriday, 30 September 2016
The Symphony of Psalms, which ended the Philharmonia’s Stravinsky series last night, is an indelible masterpiece, silencing the tired but persistent accusation that Stravinsky’s music is clever but cold. Abstract it may be, but suffused with an... Read more... |
Kiss Me, Kate, Welsh National OperaFriday, 30 September 2016
There are two ways of reacting to an opera company like WNO staging a musical like Kiss Me, Kate. You can ask yourself whether this is work that an opera house should concern itself with at all. Or you can take Confucius’s advice, and just lie back... Read more... |
Così fan tutte, Royal OperaFriday, 23 September 2016
Prospects hadn't seemed that great for this new Covent Garden Così. Could Semyon Bychkov, powerful earth-and-fire conductor of Richard Strauss's darker operas, possibly find the right proportions of air and water in Mozart? Would German director Jan... Read more... |
La Canterina, Classical Opera, Page, Wigmore HallTuesday, 20 September 2016
Papa Haydn might have been tickled to see his early intermezzo, La Canterina, pack out the Wigmore Hall on a Monday night. A night for connoisseurs, then, but Classical Opera has form when it comes to refreshing classical repertoire with the elixir... Read more... |
